video art
dataficated interaction
new media
immersive environments
cross-media
AI
net art
technology
cyberfeminism
art in public spaces
radio-frequency identification
social intervention
cybernetics
performative media
datafication
machine learning
process-oriented systems
video surveillance
generative systems
Big Data
software art
algorithm
aesthetics of error
screen arts
visual programming
sound art
transmedia and multimedia projects
GPS tracking
satellite broadcasts
open access
robotics
virtual or augmented reality (MR)
public interaction
authoritarianism and democracy
glitch art
bioart
mail art
reactive visualizations
body hacking
digital art
gaming
ethical and responsible technology
urbanism
open source
automated decision systems
data visualization
control
hacktivism
transhumanism
disinformation
addictive machines
machinima
sonification
automated decision systems
video surveillance
net art
datafication
body hacking
ethical and responsible technology
addictive machines
cross-media
control
GPS tracking
art in public spaces
cyberfeminism
digital art
technology
algorithm
AI
gaming
hacktivism
data visualization
screen arts
satellite broadcasts
mail art
cybernetics
generative systems
software art
robotics
Big Data
open access
glitch art
machine learning
open source
performative media
transhumanism
immersive environments
new media
transmedia and multimedia projects
aesthetics of error
radio-frequency identification
dataficated interaction
disinformation
virtual or augmented reality (MR)
sonification
machinima
bioart
social intervention
sound art
video art
visual programming
process-oriented systems
reactive visualizations
authoritarianism and democracy
public interaction
urbanism
dataficated interaction
software art
video surveillance
sound art
social intervention
art in public spaces
public interaction
GPS tracking
technology
control
cybernetics
hacktivism
new media
cross-media
open source
data visualization
process-oriented systems
sonification
cyberfeminism
body hacking
performative media
Big Data
virtual or augmented reality (MR)
AI
machinima
net art
aesthetics of error
generative systems
bioart
screen arts
satellite broadcasts
disinformation
reactive visualizations
radio-frequency identification
transmedia and multimedia projects
authoritarianism and democracy
glitch art
datafication
gaming
automated decision systems
open access
ethical and responsible technology
robotics
immersive environments
machine learning
algorithm
urbanism
addictive machines
digital art
mail art
transhumanism
visual programming
video art
Gallery AUTOMATIC is the latest initiative of the DA LAB Foundation, whose profile is the presentation and production of digital arts. The project is unique in two directions. First, as a specialized space for the presentation of digital arts in Bulgaria. Second, with its automated access and functioning, it creates an innovative gallery practice without analogues.
Gallery AUTOMATIC operates on the principle of a vending machine, similar to other automated systems for offering services and products in an urban environment. The way in which the exhibited works are accessed is consistent with the way in which they function, i.e. it will present digital art, whose presentation, method of creation or action are related to automated and interactive processes.
Gallery AUTOMATIC offers the audience direct contact with the presented works of art on the principle of “insert a coin and enter” (respectively mark with a card and enter). Automatic admission and 24/7 working hours turn Gallery AUTOMATIC into a public space. A video surveillance system complements the tools for accessing and sharing content, while also ensuring security for the artworks. This interactive project in form and content will fill a niche in the contemporary art scene in Sofia, namely a gallery specializing in the presentation of digital arts.
AUTOMATIC Gallery presents a selection of works created with digital media, which reveal different artistic practices and approaches in the field of contemporary art using new media, artificial intelligence, science and innovative technologies. The selection includes artists from Bulgaria and abroad, who will present a new project created specifically for the space or an existing work that meets the concept and format of presentation. Part of the selection includes authors presented in previous editions of the international digital arts festival DA Fest, organized by the DA LAB Foundation in collaboration with the National Academy of Arts in Sofia
The exhibitions will last between 1 and 2 months, i.e. from 6 to 12 exhibitions per year.
AUTOMATIC Gallery’s key features:
AUTOMATIC Gallery space:


Venelin Shurelov
DA LAB / idea, curator, administration

Galina Dimitrova-Dimova
DA LAB / curator, communication artists


Ralitsa Georgieva
graphic design assistant

Zahari Dimitrov
website design & administrator

Petya Chalakova
online communications expert

Miroslava Tsoneva
marketing and communications consultant

Julia Lilova
video and photo documentation

Ivan Stefanov
video and photo documentation

Elitsa Georgieva
agent 0011