gaming
generative systems
machinima
virtual or augmented reality (MR)
video art
new media
satellite broadcasts
glitch art
disinformation
Big Data
body hacking
process-oriented systems
addictive machines
screen arts
cyberfeminism
social intervention
public interaction
algorithm
technology
cybernetics
automated decision systems
aesthetics of error
control
transhumanism
AI
open access
visual programming
reactive visualizations
urbanism
ethical and responsible technology
video surveillance
hacktivism
sonification
art in public spaces
radio-frequency identification
data visualization
immersive environments
GPS tracking
cross-media
dataficated interaction
digital art
transmedia and multimedia projects
bioart
machine learning
authoritarianism and democracy
software art
performative media
open source
mail art
robotics
datafication
sound art
net art
net art
authoritarianism and democracy
new media
machinima
sonification
automated decision systems
screen arts
video art
digital art
disinformation
video surveillance
reactive visualizations
machine learning
data visualization
AI
gaming
datafication
virtual or augmented reality (MR)
dataficated interaction
social intervention
Big Data
transhumanism
algorithm
ethical and responsible technology
process-oriented systems
immersive environments
radio-frequency identification
generative systems
control
GPS tracking
public interaction
cybernetics
mail art
open source
glitch art
art in public spaces
performative media
robotics
satellite broadcasts
addictive machines
cross-media
aesthetics of error
sound art
open access
transmedia and multimedia projects
cyberfeminism
bioart
urbanism
body hacking
hacktivism
software art
visual programming
technology
software art
open source
robotics
satellite broadcasts
data visualization
cybernetics
transmedia and multimedia projects
virtual or augmented reality (MR)
process-oriented systems
net art
authoritarianism and democracy
urbanism
disinformation
ethical and responsible technology
cross-media
sound art
radio-frequency identification
mail art
datafication
public interaction
dataficated interaction
visual programming
gaming
machine learning
open access
aesthetics of error
bioart
art in public spaces
reactive visualizations
video surveillance
social intervention
addictive machines
algorithm
automated decision systems
cyberfeminism
technology
control
transhumanism
GPS tracking
hacktivism
immersive environments
video art
new media
AI
screen arts
body hacking
machinima
Big Data
generative systems
digital art
performative media
glitch art
sonification
Gallery AUTOMATIC is the latest initiative of the DA LAB Foundation, whose profile is the presentation and production of digital arts. The project is unique in two directions. First, as a specialized space for the presentation of digital arts in Bulgaria. Second, with its automated access and functioning, it creates an innovative gallery practice without analogues.
Gallery AUTOMATIC operates on the principle of a vending machine, similar to other automated systems for offering services and products in an urban environment. The way in which the exhibited works are accessed is consistent with the way in which they function, i.e. it will present digital art, whose presentation, method of creation or action are related to automated and interactive processes.
Gallery AUTOMATIC offers the audience direct contact with the presented works of art on the principle of “insert a coin and enter” (respectively mark with a card and enter). Automatic admission and 24/7 working hours turn Gallery AUTOMATIC into a public space. A video surveillance system complements the tools for accessing and sharing content, while also ensuring security for the artworks. This interactive project in form and content will fill a niche in the contemporary art scene in Sofia, namely a gallery specializing in the presentation of digital arts.
AUTOMATIC Gallery presents a selection of works created with digital media, which reveal different artistic practices and approaches in the field of contemporary art using new media, artificial intelligence, science and innovative technologies. The selection includes artists from Bulgaria and abroad, who will present a new project created specifically for the space or an existing work that meets the concept and format of presentation. Part of the selection includes authors presented in previous editions of the international digital arts festival DA Fest, organized by the DA LAB Foundation in collaboration with the National Academy of Arts in Sofia
The exhibitions will last between 1 and 2 months, i.e. from 6 to 12 exhibitions per year.
AUTOMATIC Gallery’s key features:
AUTOMATIC Gallery space:


Venelin Shurelov
DA LAB / idea, curator, administration

Galina Dimitrova-Dimova
DA LAB / curator, communication artists


Ralitsa Georgieva
graphic design assistant

Zahari Dimitrov
website design & administrator

Petya Chalakova
online communications expert

Miroslava Tsoneva
marketing and communications consultant

Julia Lilova
video and photo documentation

Ivan Stefanov
video and photo documentation

Elitsa Georgieva
agent 0011