bioart
public interaction
machinima
ethical and responsible technology
authoritarianism and democracy
immersive environments
new media
process-oriented systems
visual programming
cyberfeminism
net art
gaming
transhumanism
dataficated interaction
performative media
Big Data
satellite broadcasts
sound art
screen arts
control
mail art
open source
transmedia and multimedia projects
cross-media
generative systems
video art
algorithm
data visualization
radio-frequency identification
addictive machines
urbanism
aesthetics of error
automated decision systems
sonification
robotics
technology
disinformation
hacktivism
AI
social intervention
open access
video surveillance
software art
cybernetics
GPS tracking
art in public spaces
digital art
glitch art
reactive visualizations
body hacking
machine learning
datafication
virtual or augmented reality (MR)
performative media
addictive machines
software art
net art
cybernetics
authoritarianism and democracy
digital art
sound art
ethical and responsible technology
control
bioart
process-oriented systems
reactive visualizations
open access
datafication
screen arts
social intervention
video art
urbanism
visual programming
cyberfeminism
gaming
body hacking
art in public spaces
machine learning
mail art
automated decision systems
glitch art
robotics
transmedia and multimedia projects
hacktivism
AI
immersive environments
disinformation
cross-media
satellite broadcasts
aesthetics of error
sonification
virtual or augmented reality (MR)
data visualization
GPS tracking
radio-frequency identification
algorithm
Big Data
machinima
open source
new media
technology
transhumanism
public interaction
dataficated interaction
video surveillance
generative systems
screen arts
generative systems
algorithm
immersive environments
disinformation
software art
cross-media
control
cyberfeminism
satellite broadcasts
data visualization
automated decision systems
dataficated interaction
aesthetics of error
mail art
transhumanism
new media
ethical and responsible technology
urbanism
social intervention
machine learning
hacktivism
virtual or augmented reality (MR)
reactive visualizations
datafication
addictive machines
Big Data
robotics
technology
sonification
sound art
machinima
art in public spaces
gaming
glitch art
video art
net art
radio-frequency identification
performative media
AI
digital art
public interaction
authoritarianism and democracy
open source
video surveillance
cybernetics
GPS tracking
bioart
visual programming
transmedia and multimedia projects
body hacking
process-oriented systems
open access
Gallery AUTOMATIC is the latest initiative of the DA LAB Foundation, whose profile is the presentation and production of digital arts. The project is unique in two directions. First, as a specialized space for the presentation of digital arts in Bulgaria. Second, with its automated access and functioning, it creates an innovative gallery practice without analogues.
Gallery AUTOMATIC operates on the principle of a vending machine, similar to other automated systems for offering services and products in an urban environment. The way in which the exhibited works are accessed is consistent with the way in which they function, i.e. it will present digital art, whose presentation, method of creation or action are related to automated and interactive processes.
Gallery AUTOMATIC offers the audience direct contact with the presented works of art on the principle of “insert a coin and enter” (respectively mark with a card and enter). Automatic admission and 24/7 working hours turn Gallery AUTOMATIC into a public space. A video surveillance system complements the tools for accessing and sharing content, while also ensuring security for the artworks. This interactive project in form and content will fill a niche in the contemporary art scene in Sofia, namely a gallery specializing in the presentation of digital arts.
AUTOMATIC Gallery presents a selection of works created with digital media, which reveal different artistic practices and approaches in the field of contemporary art using new media, artificial intelligence, science and innovative technologies. The selection includes artists from Bulgaria and abroad, who will present a new project created specifically for the space or an existing work that meets the concept and format of presentation. Part of the selection includes authors presented in previous editions of the international digital arts festival DA Fest, organized by the DA LAB Foundation in collaboration with the National Academy of Arts in Sofia
The exhibitions will last between 1 and 2 months, i.e. from 6 to 12 exhibitions per year.
AUTOMATIC Gallery’s key features:
AUTOMATIC Gallery space:


Venelin Shurelov
DA LAB / idea, curator, administration

Galina Dimitrova-Dimova
DA LAB / curator, communication artists


Ralitsa Georgieva
graphic design assistant

Zahari Dimitrov
website design & administrator

Petya Chalakova
online communications expert

Miroslava Tsoneva
marketing and communications consultant

Julia Lilova
video and photo documentation

Ivan Stefanov
video and photo documentation

Elitsa Georgieva
agent 0011