Petar Denchev
Bloodwork, 2025, Video 4’52”



1. There are no different kinds of labor.
Everything is reduced to the same structure of violence, applied at a different pace.
2. Capitalism does not care how you work,
only how much it can extract from you.
Everything else is a delusion.
3. When we replace the thread with blood,
the pretense drops.
This is not a symbol.
Not a gesture.
Not a confession.
4. This is a production process.
5. The body enters it as raw material
and exits as waste.
6. Value does not arise from meaning,
but from destruction.
From decay - of nerves, of health, of flesh.
7. Either you bleed slowly, day after day,
or you burn all at once.
Choice is an illusion.
8. The white fabric is the lie of order and purity.
Violence against it is a constant -
normalized, systemic, and denied.
9. My blood is the evidence.
10. The absence of a face is a refusal of sentiment.
There is no story.
No subject.
Who you are does not matter.
11. We are all bodies,
reduced to function,
to gesture,
repeated until worn out.
12. This system does not care about meaning,
identity,
or dignity.
13. It wants rhythm.
14. If you do not enter it,
it will wear you down
until nothing remains
that it can use.
15. Our blood is the evidence.

My name is Petar Denchev. I work with video and digital media because it is precisely there that power creates meaning, gains consent, and enforces obedience. I am not interested in the image itself, but in how it functions — whom it serves, what it hides, and how it lies.
I do not believe that art exists in a vacuum. It is always tied to economics, ideology, and institutions. Every artistic practice is political — the question is whether it acknowledges this or pretends to be “aesthetically independent.”
My work is political propaganda. Not as cheap provocation, but out of necessity. Capitalism and imperialism need neither defense nor silence — they already control the media, culture, and language. What is missing is an open, visually clear, and uncompromising counter-position.
I am interested in simplicity and directness — complexity often serves to conceal weak ideas. A clear image is dangerous. A clear position is uncomfortable. This is where my work begins.
I do not seek universal understanding or institutional approval. I seek conflict. Art that does not challenge power merely decorates it.
What I present here is not an invitation to dialogue. It is taking a clear position.