ethical and responsible technology
data visualization
dataficated interaction
open source
machine learning
process-oriented systems
immersive environments
mail art
art in public spaces
urbanism
machinima
Big Data
control
public interaction
social intervention
software art
disinformation
authoritarianism and democracy
sonification
technology
sound art
gaming
transhumanism
algorithm
addictive machines
robotics
radio-frequency identification
body hacking
hacktivism
transmedia and multimedia projects
screen arts
video surveillance
reactive visualizations
virtual or augmented reality (MR)
net art
visual programming
digital art
satellite broadcasts
automated decision systems
cybernetics
aesthetics of error
cyberfeminism
glitch art
performative media
video art
cross-media
open access
GPS tracking
bioart
new media
generative systems
datafication
AI
video art
body hacking
dataficated interaction
mail art
sonification
software art
virtual or augmented reality (MR)
robotics
transhumanism
screen arts
hacktivism
cybernetics
reactive visualizations
bioart
open access
net art
performative media
Big Data
immersive environments
radio-frequency identification
process-oriented systems
urbanism
automated decision systems
datafication
gaming
glitch art
visual programming
machine learning
authoritarianism and democracy
digital art
GPS tracking
generative systems
art in public spaces
machinima
open source
cross-media
data visualization
control
satellite broadcasts
aesthetics of error
algorithm
cyberfeminism
social intervention
addictive machines
ethical and responsible technology
public interaction
disinformation
new media
transmedia and multimedia projects
video surveillance
technology
AI
sound art
machine learning
video art
immersive environments
GPS tracking
cybernetics
Big Data
software art
social intervention
generative systems
mail art
algorithm
open source
video surveillance
virtual or augmented reality (MR)
body hacking
digital art
reactive visualizations
urbanism
satellite broadcasts
transmedia and multimedia projects
transhumanism
data visualization
aesthetics of error
glitch art
screen arts
performative media
dataficated interaction
open access
robotics
gaming
ethical and responsible technology
process-oriented systems
datafication
disinformation
visual programming
sonification
bioart
authoritarianism and democracy
automated decision systems
addictive machines
sound art
radio-frequency identification
public interaction
new media
hacktivism
machinima
cross-media
AI
control
cyberfeminism
technology
net art
art in public spaces
Gallery AUTOMATIC is the latest initiative of the DA LAB Foundation, whose profile is the presentation and production of digital arts. The project is unique in two directions. First, as a specialized space for the presentation of digital arts in Bulgaria. Second, with its automated access and functioning, it creates an innovative gallery practice without analogues.
Gallery AUTOMATIC operates on the principle of a vending machine, similar to other automated systems for offering services and products in an urban environment. The way in which the exhibited works are accessed is consistent with the way in which they function, i.e. it will present digital art, whose presentation, method of creation or action are related to automated and interactive processes.
Gallery AUTOMATIC offers the audience direct contact with the presented works of art on the principle of “insert a coin and enter” (respectively mark with a card and enter). Automatic admission and 24/7 working hours turn Gallery AUTOMATIC into a public space. A video surveillance system complements the tools for accessing and sharing content, while also ensuring security for the artworks. This interactive project in form and content will fill a niche in the contemporary art scene in Sofia, namely a gallery specializing in the presentation of digital arts.
AUTOMATIC Gallery presents a selection of works created with digital media, which reveal different artistic practices and approaches in the field of contemporary art using new media, artificial intelligence, science and innovative technologies. The selection includes artists from Bulgaria and abroad, who will present a new project created specifically for the space or an existing work that meets the concept and format of presentation. Part of the selection includes authors presented in previous editions of the international digital arts festival DA Fest, organized by the DA LAB Foundation in collaboration with the National Academy of Arts in Sofia
The exhibitions will last between 1 and 2 months, i.e. from 6 to 12 exhibitions per year.
AUTOMATIC Gallery’s key features:
AUTOMATIC Gallery space:
Venelin Shurelov
DA LAB / idea, curator, administration
Galina Dimitrova-Dimova
DA LAB / curator, communication artists
Ralitsa Georgieva
graphic design assistant
Zahari Dimitrov
website design & administrator
Petya Chalakova
online communications expert
Miroslava Tsoneva
marketing and communications consultant
Julia Lilova
video and photo documentation
Ivan Stefanov
video and photo documentation
Elitsa Georgieva
agent 0011
● Automatic Gallery
● Opening times: 0:00–24:00
● Entrance fee: 4,99 BGN