public interaction
software art
reactive visualizations
gaming
transhumanism
net art
digital art
cybernetics
performative media
transmedia and multimedia projects
video art
satellite broadcasts
process-oriented systems
addictive machines
GPS tracking
AI
machine learning
dataficated interaction
ethical and responsible technology
open access
generative systems
glitch art
hacktivism
automated decision systems
social intervention
cross-media
datafication
disinformation
screen arts
sound art
data visualization
control
robotics
machinima
urbanism
Big Data
art in public spaces
video surveillance
body hacking
open source
cyberfeminism
aesthetics of error
new media
bioart
visual programming
algorithm
mail art
virtual or augmented reality (MR)
technology
immersive environments
authoritarianism and democracy
radio-frequency identification
sonification
body hacking
sound art
glitch art
digital art
ethical and responsible technology
aesthetics of error
virtual or augmented reality (MR)
performative media
video surveillance
GPS tracking
algorithm
authoritarianism and democracy
radio-frequency identification
reactive visualizations
hacktivism
open access
machine learning
machinima
software art
Big Data
visual programming
dataficated interaction
control
art in public spaces
data visualization
immersive environments
gaming
screen arts
AI
cybernetics
open source
disinformation
robotics
social intervention
bioart
sonification
transhumanism
video art
datafication
transmedia and multimedia projects
public interaction
new media
automated decision systems
satellite broadcasts
technology
cross-media
process-oriented systems
urbanism
net art
cyberfeminism
generative systems
addictive machines
mail art
sonification
Big Data
open source
GPS tracking
datafication
automated decision systems
process-oriented systems
ethical and responsible technology
radio-frequency identification
transmedia and multimedia projects
social intervention
new media
bioart
dataficated interaction
data visualization
AI
open access
cross-media
immersive environments
screen arts
machinima
machine learning
net art
cyberfeminism
authoritarianism and democracy
sound art
algorithm
robotics
visual programming
body hacking
software art
performative media
satellite broadcasts
technology
art in public spaces
control
glitch art
video surveillance
addictive machines
mail art
aesthetics of error
disinformation
hacktivism
digital art
cybernetics
public interaction
video art
virtual or augmented reality (MR)
transhumanism
generative systems
gaming
reactive visualizations
urbanism
Gallery AUTOMATIC is the latest initiative of the DA LAB Foundation, whose profile is the presentation and production of digital arts. The project is unique in two directions. First, as a specialized space for the presentation of digital arts in Bulgaria. Second, with its automated access and functioning, it creates an innovative gallery practice without analogues.
Gallery AUTOMATIC operates on the principle of a vending machine, similar to other automated systems for offering services and products in an urban environment. The way in which the exhibited works are accessed is consistent with the way in which they function, i.e. it will present digital art, whose presentation, method of creation or action are related to automated and interactive processes.
Gallery AUTOMATIC offers the audience direct contact with the presented works of art on the principle of “insert a coin and enter” (respectively mark with a card and enter). Automatic admission and 24/7 working hours turn Gallery AUTOMATIC into a public space. A video surveillance system complements the tools for accessing and sharing content, while also ensuring security for the artworks. This interactive project in form and content will fill a niche in the contemporary art scene in Sofia, namely a gallery specializing in the presentation of digital arts.
AUTOMATIC Gallery presents a selection of works created with digital media, which reveal different artistic practices and approaches in the field of contemporary art using new media, artificial intelligence, science and innovative technologies. The selection includes artists from Bulgaria and abroad, who will present a new project created specifically for the space or an existing work that meets the concept and format of presentation. Part of the selection includes authors presented in previous editions of the international digital arts festival DA Fest, organized by the DA LAB Foundation in collaboration with the National Academy of Arts in Sofia
The exhibitions will last between 1 and 2 months, i.e. from 6 to 12 exhibitions per year.
AUTOMATIC Gallery’s key features:
AUTOMATIC Gallery space:
Venelin Shurelov
DA LAB / idea, curator, administration
Galina Dimitrova-Dimova
DA LAB / curator, communication artists
Ralitsa Georgieva
graphic design assistant
Zahari Dimitrov
website design & administrator
Petya Chalakova
online communications expert
Miroslava Tsoneva
Marketing and Communications
Julia Lilova
video and photo documentation
Ivan Stefanov
video and photo documentation
Elitsa Georgieva
agent 0011
● Automatic Gallery
● Opening times: 0:00–24:00
● Entrance fee: 4,99 BGN