glitch art
performative media
sonification
digital art
technology
process-oriented systems
software art
body hacking
sound art
datafication
open source
satellite broadcasts
machine learning
bioart
transmedia and multimedia projects
cyberfeminism
public interaction
screen arts
robotics
open access
immersive environments
algorithm
addictive machines
authoritarianism and democracy
radio-frequency identification
generative systems
automated decision systems
cross-media
video surveillance
gaming
art in public spaces
reactive visualizations
AI
net art
dataficated interaction
mail art
new media
GPS tracking
video art
cybernetics
visual programming
control
social intervention
Big Data
transhumanism
hacktivism
ethical and responsible technology
aesthetics of error
machinima
virtual or augmented reality (MR)
data visualization
urbanism
disinformation
virtual or augmented reality (MR)
machinima
screen arts
new media
open source
transmedia and multimedia projects
cyberfeminism
glitch art
disinformation
reactive visualizations
addictive machines
process-oriented systems
GPS tracking
art in public spaces
digital art
authoritarianism and democracy
bioart
aesthetics of error
transhumanism
hacktivism
sound art
AI
robotics
sonification
radio-frequency identification
Big Data
mail art
dataficated interaction
satellite broadcasts
control
machine learning
technology
ethical and responsible technology
net art
software art
algorithm
urbanism
immersive environments
cross-media
video art
public interaction
automated decision systems
open access
visual programming
datafication
cybernetics
video surveillance
body hacking
social intervention
performative media
data visualization
gaming
generative systems
mail art
glitch art
ethical and responsible technology
process-oriented systems
algorithm
performative media
digital art
screen arts
robotics
Big Data
immersive environments
new media
AI
open access
sonification
public interaction
reactive visualizations
GPS tracking
addictive machines
bioart
aesthetics of error
radio-frequency identification
cyberfeminism
technology
video art
data visualization
social intervention
automated decision systems
cross-media
disinformation
gaming
transhumanism
open source
body hacking
hacktivism
video surveillance
sound art
art in public spaces
software art
datafication
authoritarianism and democracy
generative systems
machine learning
virtual or augmented reality (MR)
transmedia and multimedia projects
machinima
cybernetics
net art
visual programming
urbanism
control
dataficated interaction
satellite broadcasts
Gallery AUTOMATIC is the latest initiative of the DA LAB Foundation, whose profile is the presentation and production of digital arts. The project is unique in two directions. First, as a specialized space for the presentation of digital arts in Bulgaria. Second, with its automated access and functioning, it creates an innovative gallery practice without analogues.
Gallery AUTOMATIC operates on the principle of a vending machine, similar to other automated systems for offering services and products in an urban environment. The way in which the exhibited works are accessed is consistent with the way in which they function, i.e. it will present digital art, whose presentation, method of creation or action are related to automated and interactive processes.
Gallery AUTOMATIC offers the audience direct contact with the presented works of art on the principle of “insert a coin and enter” (respectively mark with a card and enter). Automatic admission and 24/7 working hours turn Gallery AUTOMATIC into a public space. A video surveillance system complements the tools for accessing and sharing content, while also ensuring security for the artworks. This interactive project in form and content will fill a niche in the contemporary art scene in Sofia, namely a gallery specializing in the presentation of digital arts.
AUTOMATIC Gallery presents a selection of works created with digital media, which reveal different artistic practices and approaches in the field of contemporary art using new media, artificial intelligence, science and innovative technologies. The selection includes artists from Bulgaria and abroad, who will present a new project created specifically for the space or an existing work that meets the concept and format of presentation. Part of the selection includes authors presented in previous editions of the international digital arts festival DA Fest, organized by the DA LAB Foundation in collaboration with the National Academy of Arts in Sofia
The exhibitions will last between 1 and 2 months, i.e. from 6 to 12 exhibitions per year.
AUTOMATIC Gallery’s key features:
AUTOMATIC Gallery space:
Venelin Shurelov
DA LAB / idea, curator, administration
Galina Dimitrova-Dimova
DA LAB / curator, communication artists
Ralitsa Georgieva
graphic design assistant
Zahari Dimitrov
website design & administrator
Petya Chalakova
online communications expert
Miroslava Tsoneva
marketing and communications consultant
Julia Lilova
video and photo documentation
Ivan Stefanov
video and photo documentation
Elitsa Georgieva
agent 0011
● Automatic Gallery
● Opening times: 0:00–24:00
● Entrance fee: 4,99 BGN