screen arts
digital art
machine learning
visual programming
open access
immersive environments
transhumanism
sonification
reactive visualizations
AI
GPS tracking
radio-frequency identification
public interaction
performative media
hacktivism
video surveillance
automated decision systems
technology
video art
gaming
machinima
aesthetics of error
process-oriented systems
algorithm
authoritarianism and democracy
art in public spaces
software art
open source
generative systems
addictive machines
cyberfeminism
satellite broadcasts
urbanism
body hacking
glitch art
Big Data
disinformation
control
data visualization
net art
virtual or augmented reality (MR)
mail art
ethical and responsible technology
social intervention
cross-media
bioart
new media
dataficated interaction
sound art
transmedia and multimedia projects
datafication
robotics
cybernetics
authoritarianism and democracy
hacktivism
virtual or augmented reality (MR)
machinima
social intervention
screen arts
dataficated interaction
disinformation
new media
process-oriented systems
gaming
bioart
glitch art
radio-frequency identification
reactive visualizations
aesthetics of error
mail art
GPS tracking
ethical and responsible technology
cyberfeminism
robotics
generative systems
sound art
urbanism
satellite broadcasts
AI
cross-media
public interaction
body hacking
software art
Big Data
data visualization
control
technology
open access
net art
automated decision systems
art in public spaces
sonification
transmedia and multimedia projects
open source
datafication
machine learning
immersive environments
algorithm
cybernetics
video art
performative media
transhumanism
video surveillance
digital art
visual programming
addictive machines
disinformation
AI
video surveillance
process-oriented systems
machinima
screen arts
satellite broadcasts
glitch art
ethical and responsible technology
robotics
machine learning
aesthetics of error
algorithm
social intervention
performative media
immersive environments
open access
net art
automated decision systems
public interaction
cross-media
dataficated interaction
sonification
datafication
data visualization
technology
visual programming
hacktivism
virtual or augmented reality (MR)
radio-frequency identification
digital art
new media
control
transmedia and multimedia projects
generative systems
urbanism
addictive machines
body hacking
reactive visualizations
transhumanism
mail art
sound art
open source
Big Data
software art
cybernetics
video art
GPS tracking
gaming
bioart
art in public spaces
authoritarianism and democracy
cyberfeminism
Gallery AUTOMATIC is the latest initiative of the DA LAB Foundation, whose profile is the presentation and production of digital arts. The project is unique in two directions. First, as a specialized space for the presentation of digital arts in Bulgaria. Second, with its automated access and functioning, it creates an innovative gallery practice without analogues.
Gallery AUTOMATIC operates on the principle of a vending machine, similar to other automated systems for offering services and products in an urban environment. The way in which the exhibited works are accessed is consistent with the way in which they function, i.e. it will present digital art, whose presentation, method of creation or action are related to automated and interactive processes.
Gallery AUTOMATIC offers the audience direct contact with the presented works of art on the principle of “insert a coin and enter” (respectively mark with a card and enter). Automatic admission and 24/7 working hours turn Gallery AUTOMATIC into a public space. A video surveillance system complements the tools for accessing and sharing content, while also ensuring security for the artworks. This interactive project in form and content will fill a niche in the contemporary art scene in Sofia, namely a gallery specializing in the presentation of digital arts.
AUTOMATIC Gallery presents a selection of works created with digital media, which reveal different artistic practices and approaches in the field of contemporary art using new media, artificial intelligence, science and innovative technologies. The selection includes artists from Bulgaria and abroad, who will present a new project created specifically for the space or an existing work that meets the concept and format of presentation. Part of the selection includes authors presented in previous editions of the international digital arts festival DA Fest, organized by the DA LAB Foundation in collaboration with the National Academy of Arts in Sofia
The exhibitions will last between 1 and 2 months, i.e. from 6 to 12 exhibitions per year.
AUTOMATIC Gallery’s key features:
AUTOMATIC Gallery space:
Venelin Shurelov
DA LAB / idea, curator, administration
Galina Dimitrova-Dimova
DA LAB / curator, communication artists
Ralitsa Georgieva
graphic design assistant
Zahari Dimitrov
website design & administrator
Petya Chalakova
online communications expert
Miroslava Tsoneva
Marketing and Communications
Julia Lilova
video and photo documentation
Ivan Stefanov
video and photo documentation
Elitsa Georgieva
agent 0011
● Automatic Gallery
● Opening times: 0:00–24:00
● Entrance fee: 4,99 BGN